APSMER 2021 TOKYO

Conference Program(PDF)

Time Schedule (PDF)

18 September 2021

Room J

Opening Ceremony  
9.18  9:00~9:10

Moderator: Tadahiko Imada


Room J

Keynote Address I  
9.18  9:10~10:30

Moderator: Shinko Kondo

A Music Educator’s Perspective on “Change” and “Possibilities”

Prof. Victor Fung


19 September 2021

Room J

Keynote Address II 
9.19  9:00~10:30

Moderator: Megumi Sakai

The Structure of Japanese Music

Akikazu Nakamura

  Overview of “The structure of Japanese music” (Member-only.)

  The structure of Japanese music [1] (Member-only.)

  The structure of Japanese music [2] (Member-only.)


Room G

ISME Session  
9.19  15:30~17:00

Prof. Emily Akuno - ISME President (Kenya)

Prof. Leung Bo Wah - ISME President Elect (Hong Kong)

Dr. Gwen Moore - Chair of the ISME Publications Committee (Ireland)

Prof. Alethea de Villiers - ISME Membership Committee (South Africa)

Sandra Oberoi - Chair of ISME Advocacy Committee (India)

Assoc. Prof. Ramona Mohd Tahir - ISME Advocacy Committee (Malaysia)

Prof. Masafumi Ogawa (Japan)


Room J

Closing Ceremony 
9.19 17:00~

Moderator: Yoko Ogawa


18 September 2021

Room A

Submission Categories PAPER

Moderator:

Hiromi Takasu [1][2]

Yasuko Murakami [3][4][5]

Dr. Narutt Suttachit [6][7][8]

Presenters Title
[1] 11:00~11:30 Yoon Joo Hwang Inclusive Music Education in the U.S. and East Asia: Creating Positive Learning and Performance Opportunities for All

Abstract

[2] 11:30~12:00 Flora Fong-Lap Ip How May I Help? Teaching Assistants’ Support in Music Lessons for Children with Severe Intellectual Disability

Abstract

[3] 13:30~14:00 Chiao-Ting Feng The Influence of Family Background on Chinese College Music Performance Major Students: A Case Study

Abstract

[4] 14:00~14:30 Yang Rong
Wang Qi-Ran
The Influence of Performance Anxiety of Career Adaptability and Career Optimism in Music Students: Self-Efficacy as a Mediator

Abstract

[5] 14:30~15:00 Qing Yang
Chieko Mibu
Scientific Piano Method for Adolescent Beginners: Challenges of Piano Education in Contemporary China

Abstract

[6] 15:30~16:00 Jesher Edrei P. Perez
Jocelyn Timbol-Guadalupe
Aweng, Timek, Garaw (Sound, Voice, Movement): Culturally Responsive and Mother-Tongue Based Music Education in the Ilocos Region of the Philippines

Abstract

[7] 16:00~16:30 Guan Tao Effects of Intercultural Music Courses on Ethnic Identity, Intergroup Attitudes and National Identity Among Adolescent Students from a Multi-Ethnic Area in China: A Mix-Methods Intervention Study

Abstract

[8] 16:30~17:00 Yoshiko Sugie
Kenjiro Miyamoto
Development of Music Teaching Materials and Teaching Plans for Cultural Diversity in Japanese Schools

Abstract

Room B

Submission Categories PAPER

Moderator:

Shinko Kondo [1][2]

Nozomi Azechi [3][4][5]

Yoko Ogawa [6][7][8]

Presenters Title
[1] 11:00~11:30 Chi-Hin Leung Teacher Efficacy Under the e-Orch Setting Teaching and Learning Environment

Abstract

[2] 11:30~12:00 Charles E. Patterson, III Leaving the Profession: Exploring Experiences of Music Teachers who Depart the Profession During the First Five Years of Teaching

Abstract

[3] 13:30~14:00 King Cheung Calvin Lee Impact of Teachers’ Previous Learning and Teaching Experience on Their Current Pedagogy and Beliefs: Multiple Case Studies on Three Hong Kong Instrumental Teachers

Abstract

[4] 14:00~14:30 Su-Young Bae
Sumi Kwon
An Analysis of Eye Movements According to the Ability of Pre-Service Elementary Teachers to Read Music

Abstract

[5] 14:30~15:00 Ho Yan Lam An Exploratory Study of Music Listening and Anxiety Level Among Hong Kong Undergraduate Students

Abstract

[6] 15:30~16:00 Chihiro Obata Relationship Between Inferiority Awareness "Onchi" and Singing Skills of Japanese Junior High School Students

Abstract

[7] 16:00~16:30 Can Lu
Graham F. Welch
A New Measurement for Pitch-Matching Accuracy of Song Singing Based on Absolute Semitone Differences

Abstract

[8] 16:30~17:00 Minghui Hu
Cong Jian
Pitch Memory in Musicians and Non-Musicians

Abstract

Room C

Submission Categories PAPER

Moderator:

Koji Matsunobu [1][2]

Prof. Jong Mo Yang [3][4][5]

Noriko Tokie [6][7][8]

Presenters Title
[1] 11:00~11:30 Sangmi Kang
C. Victor Fung
Hyesoo Yoo
U.S. Preservice Music Teachers’ World Music Preference and Its Transfer to Untaught Pieces

Abstract

[2] 11:30~12:00 Jong Mo Yang Nationalism and Multiculturalism in Asian Country’s Music Education: Focus on South Korea, Japan, Singapore, and China

Abstract

[3] 13:30~14:00 Yu-Hsuan Liu A Case Study of An Elementary School Teacher using Makey Makey for Music Creating

Abstract

[4] 14:00~14:30 Lisa Tokie
Noriko Tokie
Guidance and Support Mechanisms for Music Teachers Using ICT Software in Composition Classes

Abstract

[5] 14:30~15:00 Carol Johnson
Brad Merrick
Leon de Bruin
Reflections on the Year of Change: Adaptive and Creative Use of Online Technologies by Australian Tertiary Music Teachers

Abstract

[6] 15:30~16:00 Soichi Kanazaki Visualizing the Soundscape by Sonography: Implementation of Creative Activity in Junior High School

Abstract

[7] 16:00~16:30 Chee-Hoo Lum Sounding Our Lives: Examining the Impetus of Sound Works by Singapore Contemporary Artists

Abstract

[8] 16:30~17:00 Hanah Kim Potential of ‘Romantic Theory’ for Music Education in Contemporary Era: For Delivering Musical Knowledge and Enhancing Creativity and Wellbeing

Abstract

Room D

Submission Categories PAPER

Moderator:

Dr. Ramona Mohd. Tahir [1][2]

Dr. Ramona Mohd. Tahir [3][4][5]

Koji Matsunobu [6][7][8]

Presenters Title
[1] 11:00~11:30 Li Wen
Pravina Manoharan
Cui Xuerong
An Investigation on Self-Evaluation and Self-Efficacy of Music Teachers in Primary and Secondary Schools in Mainland China

Abstract

[2] 11:30~12:00 Zheng Wang A Phenomenological Study of Male-Female Role Stress in College Music Teachers

Abstract

[3] 13:30~14:00 Shinko Kondo Seeking Quality: Comparative Study of Elementary Music Classrooms in the USA and Japan

Abstract

[4] 14:00~14:30 Marina Wai-Yee Wong From Needs Analysis to Curriculum Development: Senior Secondary School Music Curriculum in Macao SAR

Abstract

[5] 14:30~15:00 Alan Gazzano Programming Education in Japan: Approaches and Implications for Music in Elementary Schools

Abstract

[6] 15:30~16:00 Xiangming Zhang Exploring the Factors Affecting Music Teachers’ Technology Acceptance in Chinese Higher Education: A Qualitative Study

Abstract

[7] 16:00~16:30 Le Zhang “I Want to Know More About the World”: A Case Study of International-Mindedness as a Means of Music Teachers’ Professional Development in China

Abstract

[8] 16:30~17:00 Dneya Bunnag Udtaisuk The Values of Integrating Project-Based and Collaborative Learning in Professional Training

Abstract

Room E

Submission Categories PAPER

Moderator:

Prof. Steven Morrison [1][2]

Yuki Morijiri [3][4][5]

Yuki Morijiri [6][7][8]

Presenters Title
[1] 11:00~11:30 Marina Wai-Yee Wong Music Teachers’ Concerns for Fostering Music Creativity of Students with Intellectual Disabilities [ID] in Hong Kong Special Schools

Abstract

[2] 11:30~12:00 Amanda Watson Music for Well-Being: A Focus on Hospital

Abstract

[3] 13:30~14:00 Wang Qing
Tong Yan
The Intercultural Link of the "Aesthetic Education" Movement in the Early Republic of China

Abstract

[4] 14:00~14:30 Kevin Thompson Inspiring a Regenerative Approach to Music for a Post-Pandemic World and Sustainable Future

Abstract

[5] 14:30~15:00 Rui Ma Exploration of Blended Learning in Higher Music Education in the Post-Pandemic Era

Abstract

[6] 15:30~16:00 Wen-Fu Li The New Standards for Taiwanese School Music Curriculum and Its Implementation After COVID-19

Abstract

[7] 16:00~16:30 Brad Merrick
Leon de Bruin
An Investigation of Creative Music Pedagogies Used in a Graduate Music Teaching Program During COVID-19. Student Reflections and Insights.

Abstract

[8] 16:30~17:00 Yang Yang Assessing Alignment between Curriculum Standards and Teachers’ Instructional Practices in China’s School Music Education

Abstract

Room F

Submission Categories PAPER

Moderator:

Assoc. Prof. Chee-Hoo Lum [1][2]

Tadahiko Imada [3][4][5]

Prof. Margaret Barrett [6][7][8]

Presenters Title
[1] 11:00~11:30 Daisuke Terauchi
Haruna Myodo
Exploring the Pedagogical Possibilities of the Idea of Composition Based on Children’s Interests and Strengths

Abstract

[2] 11:30~12:00 Zijin Yao
Zhuolin Ma
Ruirui Qiao
Lingtong Zhao
Making the Tang Poetry Unforgettable: A study of Tang Poetry Song Teaching in Elementary Schools

Abstract

[3] 13:30~14:00 Minoru Shimizu Transitioning from Absolute to Creative Evaluation: Applying Trial and Error on the Time Axis

Abstract

[4] 14:00~14:30 Yoon Jeong Jung A Study on Exploring and Analyzing Alternative Material for Elementary Music Creative Activities Centered on Music Elements In South Korea

Abstract

[5] 14:30~15:00 Margaret S. Barrett
Andrea Creech
Katie Zhukov
Before Nightfall: A Case-Study of Distributed Creativity in a Contemporary Art Music Ensemble

Abstract

[6] 15:30~16:00 Tadahiko Imada
Kenta Tsukahara
Shuhei Chiba
Yohei Koeda
Exploring the Inclusion and Equity in Music Education

Abstract

[7] 16:00~16:30 Linlin Chen Inclusion for Students with Visual Impairment in the Music Classroom of Mainstream School in China

Abstract

[8] 16:30~17:00 Sumie Tonosaki The Importance of Using Sound Education for Japanese Children with Hearing Impairment

Abstract

Room G

Submission Categories PAPER

Moderator:

Prof. Bo Wah Leung [1][2]

Prof. Bo Wah Leung [3][4]

Prof. Jiaxing Xie [6][7][8]

Presenters Title
[1] 11:00~11:30 Shin Maruyama
Junichi Kanebako
Mao Sawamizu
Enriching Children’s Experience of Hearing with an Original Sound-Collecting Instrument: A Pilot Study

Abstract

[2] 11:30~12:00 Au Kam Yuen Student Voices: The Perceived Values of Hong Kong Primary School Music Ensembles

Abstract

[3] 13:30~14:00 Sarasa Hayashi The Curriculum of Music Education and the Actual in Wales

Abstract

[4] 14:00~14:30 Lexuan Zhang Beyond the “Outstanding Practice”: An Investigation of the Student-Centered Pedagogical Implementation in Music Demonstration Lessons in Guangdong, China

Abstract

[6] 15:30~16:00 Hua Kang
Bo-Wah Leung
Development of New Textbooks for Transmission of Local Folk Music and Culture in School Education: A Case Study in Shunde, China

Abstract

[7] 16:00~16:30 Euna Choi
Sung-Ji Kim
A Study on the Design of Music-Centered Integrated Class Based on the IB PYP

Abstract

[8] 16:30~17:00 Sachiyo Sasaya Music Listening for Expanding Learners' Inner Realities: Collaboration Between Teachers and Elementary School Students

Abstract

Room H

Submission Categories WORKSHOP

Presenters Title
[1] 11:00~11:30 Julie Myung Ok Song Vocal Health Education for Pre- and In-Service Music Teachers

Abstract

[2] 11:30~12:00 Kazuhiko Kinoshita
Akihiko Nakamura
Yuki Nanjo
Yukiko Tsubonou
Creating Improvisational Pentatonic Music: Open to Everyone, Connect to the World

Abstract

[3] 13:30~14:00 Grace Choi Encouraging Improvisation in Collegiate Group Piano Settings

Abstract

[4] 14:30~15:00 Morel Koren
Adoram Erell
*Solfy: An AI Tool for Promoting Singing and Music Literacy



*Participants need to prepare a laptop computer and a headset with cable. Also, please note the following environment settings.

- Windows + Chrome or Edge (latest version)

- macOS or Android + Chrome (Safari will not work)

Abstract

Room I

Submission Categories PANEL DISCUSSION

Presenters Title
[1] 11:00~12:00 Kangchao Ren
Curiel, Cecilia
The 21st Century Classroom and Beyond: Student-Centered Learning and High-Tech in the Music Classroom

Abstract

[2] 13:30~15:00 Jiaxing Xie
S. Alex Ruthmann
Baisheng Dai
Jessie H. S. Chen
Yang Yang
Hong Chen
Training Music Teachers in the Information Age

Abstract

[3] 15:30~17:00 Shinko Kondo
Atsuko Shimazaki
Jiro Hirano
Shiho Takahashi
Chiharu Nakajima
Student Agency in Collaborative Composing

Abstract

Room J

Submission Categories POSTER

Moderator:

Nozomi Azechi & Megumi Ichikawa [1]

Hiromi Takasu & Sayuri Ihara [2]

Presenters Title
[1] 12:00~13:00 Mina Sano Applying Machine Learning technique to Evaluate the Developmental Degree of Musical Expression in Early Childhood

Abstract

[1] 12:00~13:00 Hikari Kosaka Instructors in Lifelong Music Learning as Reflective Practitioners: A Case Study of Six Chorus Conductors

Abstract

[1] 12:00~13:00 Violetta Ayderova
Christine Augustine
Wong Huey Yi @ Colleen Wong
The Effectiveness of Using Video-Recorded Demos and Music Notation Software in Students’ Self-Regulated Practice

Abstract

[1] 12:00~13:00 Jirayu Techamanapong
Saya Thuntawech
Flute Air Jet Director: The Teaching Tool for Beginner Flute Students to Produce Quality Tone

Abstract

[1] 12:00~13:00 Peng-Chian Chen A Case Study of Using Five-Finger Pattern Approaches Piano Improvisational Application in Normal University

Abstract

[1] 12:00~13:00 Maki Kesssoku Practical Research on Appreciation Guidance of Opera Focusing on the Effects and Role of Music for High School Students

Abstract

[1] 12:00~13:00 Mika Ajifu The Collaboration of Educational Music Programs in School Music Education: Focusing on Suntory Hall’s Program

Abstract

[1] 12:00~13:00 Haruhi Otobe Progress of Young Children’s Interactions with Musical Instruments through Free Play

Abstract

[1] 12:00~13:00 Hang Su Exploring Teaching Strategies in Music Education for Autistic Students

Abstract

[1] 12:00~13:00 Shiho Yokoi What Is the Role of the Music Department in the Connection Period?: To Smoothly Connect Early Childhood Education and Elementary School Education

Abstract

[1] 12:00~13:00 Dawn R. Mitchell White Musical Discrimination and Styles Task: A New Possibility for Assessment of Music Aptitude in Elementary Music Students

Abstract

[2] 15:00~16:00 Taichi Akutsu
Yutaka Nakanishi
Shingo Okada
Observable Flow Experience in Japanese Children’s Interactions with the Violin and the Iconic Grid Instrument

Abstract

[2] 15:00~16:00 Tomoko Konishi A Case Study on Humming Phonation

Abstract

[2] 15:00~16:00 Mika Araki Arrangement of Score for Ensemble Performance in Public Elementary School: Considerations in Arranging Commercially Available Score Focusing on Its Quality

Abstract

[2] 15:00~16:00 Cao Lulu
Tong Yan
The Modern Face of Tradition: On the Concept and Practice of the Development of Chinese Dance Education from the Perspective of Cross Culture

Abstract

[2] 15:00~16:00 Veronica Elise N. Eugenio An Exploratory Study on the Cultural Capital of Homeschoolers and Their Perceptions of World Music

Abstract

[2] 15:00~16:00 Shin Ito
Chisaki Ogata
Hiroki Sakata
Ami Watanabe
Fumito Higuchi
Effect of a Music Workshop on Children in Japan with Diverse Cultural/Lingual Backgrounds

Abstract

[2] 15:00~16:00 Tetsuya Araki
Kazuhiko Kinoshita
Improvising Melody Creation for Children with Physical Disabilities Using Various Hand Movements

Abstract

[2] 15:00~16:00 Ai Kosugi Dance Freed from the Influence by Another Manifestation of Group

Abstract

[2] 15:00~16:00 Qi Liang Factors Influencing the Formation of Learning Motivation of Doctoral Students in Music Education at a Research University in the U.S.

Abstract

[2] 15:00~16:00 Hiroko Kimura Musicking in Early Childhood Education for Nurturing Self-Awareness within a Collective Culture

Abstract

[2] 15:00~16:00 Jiangxia Liu The Current Status, Problems and Strategies for Cultivating Chinese Traditional Music and Cultural Identity in Middle School Students

Abstract

19 September 2021

Room A

Submission Categories PAPER

Moderator:

Prof. Jiaxing Xie [1][2]

Dr. Narutt Suttachitt [3][4][5]

Yasuko Murakami [6][7][8]

Presenters Title
[1] 11:00~11:30 Leonard Tan
C. K. John Wang
Chian Lit Khoon Zason
Learning in the 21st Century: A Qualitative Examination of a Psychological Skills Programme for Secondary Band Students

Abstract

[2] 11:30~12:00 Julie Myung Ok Song Out of the Comfort Zone: The Learning Experience of International Students in U.S. Music Education

Abstract

[3] 13:30~14:00 Zijin Yao
Ziqi Fu
Localized or Diversified Music Teaching: A Study of Folk Song Selections in Taiwan Primary School Music Textbooks

Abstract

[4] 14:00~14:30 Bo-Wah Leung
Zhaoxia Wang
Teaching Cantonese Opera in Schools for Cultural Identity: A Multiple Case Study in Hong Kong and Guangzhou, China

Abstract

[5] 14:30~15:00 Kunli Zhu
Cong Jiang
A Study on the Difference between the Teaching Process of Gongche Notation and Staff

Abstract

[6] 15:30~16:00 Hiromi Takasu
Sahomi Honda
The Significance of “Shigin” in Japanese American Communities: Examining Nikkei Shigin Practitioners’ Traditional Japanese Roots

Abstract

[7] 16:00~16:30 Megumi Ichikawa
Takefumi Nakano
Sayuri Ihara
Yoko Shimura
Kyoko Imagawa
Study on the Acoustic Characteristics of Nagauta Performers’ Voice Techniques

Abstract

[8] 16:30~17:00 Pavethren Kanagarethinam The Use of Solkattu as a Primary Method of Rhythm Instruction for Drummers

Abstract

Room B

Submission Categories PAPER

Moderator:

Yoko Ogawa [1][2]

Kumiko Koma [3][4][5]

Kumiko Koma [6][7]

Presenters Title
[1] 11:00~11:30 Eun Cho
Paulo C. Chagas
Genesis Garza Morales
Music-Evoked Autobiographical Memories of a Young Adult Cohort: What Can They Tell Music Educators?

Abstract

[2] 11:30~12:00 Liu Hao
Huang Qian
Exploring Perceived Motivating Factors of Busy Urban Adults to Participate in Auditioned Community Choirs: A Grounded Theory Study in Shanghai Context

Abstract

[3] 13:30~14:00 Lau Ching Shun Katharos An Exploration of the Factors Affecting Hong Kong Children’s Motivation in Early Childhood Education Under Extracurricular Activities

Abstract

[4] 14:00~14:30 Ho Yan Lam
Alfredo Bautista
A Documentary Analysis on Kindergarten Music Education in Hong Kong

Abstract

[5] 14:30~15:00 Pei Yun Hsieh The Influence of Music Environment on Young Children's Musical Development: A Waldorf Kindergarten as an Example

Abstract

[6] 15:30~16:00 Natalie Alexandra Tse Performing as Family: Parents’ Roles in Babies’ Music Education Experiences

Abstract

[7] 16:00~16:30 Yumeng He Early Childhood Music Intelligent Development Based on Multivariate Perception

Abstract

Room C

Submission Categories PAPER

Moderator:

Prof. Baisheng Dai [1][2]

Prof. Baisheng Dai [3][4][5]

Yuki Morijiri [6][7][8]

Presenters Title
[1] 11:00~11:30 Yu Zhuo Professional Development for Music Teachers in China: From the Perspective of Mentors’ Instructional Leadership

Abstract

[2] 11:30~12:00 Dale D. Misenhelter Content and Procedure Recall: Undergraduate Music Education Methods Perceived as Meaningful

Abstract

[3] 13:30~14:00 Yuan Jiang A Comparative Study of Piano Programs at University-Level Institutions in China and the United States

Abstract

[4] 14:00~14:30 Yuki Morijiri
Satoshi Oabata
Akira Maezawa
Takuya Fujishima
Understanding the Challenges for Adult Beginners at Piano Practice from an Analysis of Errors

Abstract

[5] 14:30~15:00 Mimi Klemettinen A Practical Pedagogical “STEP5” Approach Based on the Learning from Chinese and Finnish Piano Teaching

Abstract

[6] 15:30~16:00 Wing Ki Li Metacognition in Instrumental Teaching: A Multiple Case Study of Four Hong Kong Piano Teachers

Abstract

[7] 16:00~16:30 Asami Inakagata Connecting Performance Technique with Music: A Comparative Analysis of the Teaching Methods of Hans Leygraf and His Mentor Anna Hirzel-Langenhan

Abstract

[8] 16:30~17:00 Chan Yeuk Yu Quincy
So Ming Chuen Allison
Nurturing Elementary Piano Students: A Descriptive Study on an Integrated Pedagogical Approach

Abstract

Room D

Submission Categories PAPER

Moderator:

Prof. Jessie Chen [1][2]

Prof. Jessie Chen [3][4][5]

Tadahiko Imada [6][7][8]

Presenters Title
[1] 11:00~11:30 Diego D. T. Pinto
Steven J. Morrison
Evaluations of Vocal Ensembles Are Associated with Performers’ Expressive Movement

Abstract

[2] 11:30~12:00 Chunxiao Zhang An Exploration of Chinese College Music Majors’ Self-Regulated Learning in Music Practice

Abstract

[3] 13:30~14:00 Saki Mimura Community Music Design in Music Education

Abstract

[4] 14:00~14:30 Mingzhu Zhong The Delicate Community Singing in China: A Case Study in Xiamen

Abstract

[5] 14:30~15:00 Yoko Ogawa
Maho Senda
Professional Music Teachers’ Knowledge and Beliefs: Re-Forming Pedagogical Content Knowledge

Abstract

[6] 15:30~16:00 Yan Yue The Development Status of the Credit System in China's Professional Music Education

Abstract

[7] 16:00~16:30 Yang Rong
Wang Qi-Ran
The Influence of Teacher Emotional Support of Career Optimism in Music Students: Self-Efficacy as a Mediator

Abstract

[8] 16:30~17:00 Jiacheng Dai Peers Learning: A Student Program of Online Musical Instrument Accompaniment Training During Epidemic

Abstract

Room E

Submission Categories PAPER

Moderator:

Chieko Mibu [1][2]

Assoc. Prof. Chee-Hoo Lum [3][4][5]

Chieko Mibu [6][7]

Presenters Title
[1] 11:00~11:30 Yangqian Hu Acculturative Stress Among Music and Non-Music Major International Students in the United States

Abstract

[2] 11:30~12:00 Su Wenqi
Zhang Yanhan
An Investigation of the Sense of Professional Identity as Pre-Service Music Teachers in Zhejiang Province

Abstract

[3] 13:30~14:00 Sumi Kwon Teaching Strategy for Making Creative Music Using K-Pop

Abstract

[4] 14:00~14:30 Stephen Chu Hong Kong Popular Music Education and Its Discontents

Abstract

[5] 14:30~15:00 Lin-Yu Liou
Chi-Hin Leung
Kiyoshi Asakawa
Masashi Nakamura
Mikayo Hojo
Areki Mizuno
An Attempt of STEAM in Primary Education Through Ensemble Activities by Using a Music Creation Software "GarageBand"

Abstract

[6] 15:30~16:00 Cong Kong Science and Technology Empower Music Education

Abstract

[7] 16:00~16:30 Yee Ni Tse
Graham Welch
Parents’, Pupils’ and Instrumental Teachers’ Perceptions of Graded Music Examinations in Relation to the Cultural Educational Context in Hong Kong

Abstract

Room F

Submission Categories PAPER

Moderator:

Prof. Margaret Barrett [1][2]

Taichi Akutsu [3][4][5]

Taichi Akutsu [6][7]

Presenters Title
[1] 11:00~11:30 Chang Liu
Aiqing Yin
Music Teacher Instruction Competence Evaluation Index Construction: A Vision of the Experts

Abstract

[2] 11:30~12:00 Wu Jiani
Xu Minqi
An Investigation of the Self-Efficacy of Pre-Service Music Teachers in Implementing Inclusive Education in Eastern China

Abstract

[3] 13:30~14:00 Yuki Ishikawa A Participant Observation in “Language Activities”: From the Perspective of “Against Interpretation”

Abstract

[4] 14:00~14:30 Diya Zhou Does Cultural Background Affect Gordon's MAP Performance: A Small Sample Test Report in Wenzhou

Abstract

[5] 14:30~15:00 Young Joo Park Sentiment Analysis of Contemporary Pop Musicians and Classical Music Composers

Abstract

[6] 15:30~16:00 Yoshika Yamashita
Takeyoshi Matsumoto
Process Leading Up to a One-Year-Old Singing a Song That They Like

Abstract

[7] 16:00~16:30 Fanny Ming Yan Chung Kindergarten Education Policy Implementation: Principal Perceptions, Practices and Challenges in Integrating Music Education to the Curriculum

Abstract

Room G

Submission Categories PAPER

Moderator:

Prof. Jong Mo Yang [1][2]

Presenters Title
[1] 11:00~11:30 Hui Wang A Comparative Study on the Evaluation Standards of Music Courses in Senior Middle Schools

Abstract

[2] 11:30~12:00 Yasuko Murakami
Jiro Hirano
Examination of Activities Using Musical Instruments in the Early Grades of Elementary School: From the Perspective of “Integration” Between Preschool and Elementary School

Abstract

Room G

Submission Categories ISME SESSION

Presenters
[1] 15:30~17:00 Prof. Emily Akuno - ISME President (Kenya)
Prof. Leung Bo Wah - ISME President Elect (Hong Kong)
Dr. Gwen Moore - Chair of the ISME Publications Committee (Ireland)
Prof. Alethea de Villiers - ISME Membership Committee (South Africa)
Sandra Oberoi - Chair of ISME Advocacy Committee (India)
Assoc. Prof. Ramona Mohd Tahir - ISME Advocacy Committee (Malaysia)
Prof. Masafumi Ogawa (Japan)

Room H

Submission Categories WORKSHOP

Presenters Title
[1] 11:00~11:30 Shizuka Sutani
Richard K. Gordon
Taichi Akutsu
Kiyoshi Kurihara
Yutaka Nakanishi
Shingo Okada
Kensho Takeshi
Miho Yamada
Musicking to Embody Kyosei in the Framework of the Musical Theme and Variation

Abstract

[2] 11:30~12:00 Karissa Van Liew Samulnori in Schools: Teaching Traditional Korean Percussion in a Western-Style Classroom

Abstract

[3] 13:30~14:00 SeungYun Sharon Suh Interdisciplinary Curriculum of Music, Art and Literature

Abstract

[4] 14:30~15:00 Houw Ping Lau Scaffolding Strategies for the Teaching of Music Composition

Abstract

Room I

Submission Categories PANEL DISCUSSION

Presenters Title
[1] 11:00~12:00 Hung-Pai Chen
Tadahiko Imada
Pan-Hang Tang
Joo Hyun Kang
Possibilities and Alternatives in the Pandemic: Music Education in Hong Kong, Japan, Korea, and Taiwan

Abstract

[2] 13:30~15:00 Hoi Ying Stephanie Chan
Chi Ying Lam
Ang Mei Foong
Graham Sattler
Phil Mullen
Different Perspectives on the Future of Inclusive Music-Making in the Asian Pacific Region:
The Hong Kong Perspective
Musical Inclusion for the People with Parkinson’s Disease During the Lockdown Caused by COVID-19: a Malaysian’s Perspective.
Access and Equity to Inclusive Group Music-Making in Non-Metropolitan Australia
The Asian Pacific Community Music Network (APCMN)

Abstract

Room J

Submission Categories POSTER

Moderator:

Hiromi Takasu & Sayuri Ihara [1]

Nozomi Azechi & Megumi Ichikawa[2]

Presenters Title
[1] 12:00~13:00 Akihiko Nakamura
Yuki Nanjo
Yukiko Tsubonou
The Pentatonic Scale Gives Everyone a Chance to Create Music: Creating, Sharing, and Developing Music with Participants from Young Children to the Elderly to Special Needs Students.

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[1] 12:00~13:00 Ling-Hui Chen A Case Study of Mobile Devices Applied in Elementary School Music Curricum Development and Students’ Learning Engagement

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[1] 12:00~13:00 Kazuki Sato
Katsumi Sato
Shinichi Watabe
Field Survey Report on Media Artists' Works and Their Educational Methods

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[1] 12:00~13:00 Haruka Kitamura
Hiromichi Mito
Synchronizing and Maintaining Tempo: The Effects of Musical Training Among Older Adults

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[1] 12:00~13:00 XiaoJu Li Research on the Problems and Causes of Chinese Traditional Music Teaching in Primary and Secondary Schools: A Grounded Theory Analysis of 4224 Teachers’ Survey Results

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[1] 12:00~13:00 I Sheng Tseng An Analysis of VAKT for Music Conservation Enhancement

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[1] 12:00~13:00 Xuerong Cui
Jessie Chen
A Study on Self-Efficacy of Non-Music Teachers in a Music-Oriented School in China

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[1] 12:00~13:00 Keiji Sato Influences from Educational Music TV Program “Minna-no-uta” on School Music Education in Postwar Japan

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[1] 12:00~13:00 Nozomi Azechi
Masami Yoshimura
Four-Handed Piano Tasks: The Importance of Enjoying Musical Performance in Order to Increase Internal Motivation

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[1] 12:00~13:00 Kumi Matsuyama Efforts Toward Qualifying Music Therapy as a National Qualification in Japan

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[1] 12:00~13:00 Sarah J. Bartolome
Leonard Tan
Patrick W. Horton
From Either/Or, Toward Yin and Yang: A Case Study of a Music Education Philosophy International Classroom Partnership

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[2] 15:00~16:00 Shin-Yi Liu
Hung-Pai Chen
[Canceled] Notes Map: The Design, Research and Development of a Music Board Game

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[2] 15:00~16:00 Yi-Tian Fan Meta-Analysis on Music Teaching Methods to Creative Thinking of Young Children

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[2] 15:00~16:00 Hirata Yoshiyuki Musical Characteristics of Improvised Songs of 1-2 Years Old Infant

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[2] 15:00~16:00 Kento Takahashi The Becoming of Sounds in the Earth-Sky World: Against Tim Ingold’s “Four Objections to the Concept of Soundscape”

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[2] 15:00~16:00 Dongfang Daisy Huo Concert Lecture as a New Approach of Community Music Education

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[2] 15:00~16:00 Soma Takeo [Canceled] Exploring the Relationship between Music and Language: The Concept of Image by Gaston Bachelard and Ethnomethodology

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[2] 15:00~16:00 Xiaobin Ke An Investigation of the Effectiveness of Pitch Matching Assessment: A Case Study in Shenzhen Futian High School, China

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[2] 15:00~16:00 Yuma Saito Analyzing the Role of IT in Music Education Based on the Concept of Media by McLuhan

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[2] 15:00~16:00 Noriko Tokie
Lisa Tokie
Research Regarding the Utilization of Online Lessons at Teacher Training Colleges

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[2] 15:00~16:00 Yi Zhou Ought to Be and Being of the Curriculum Provision in Music Education Major in the Background of Measures for the Implementation of Teacher’s Professional Certification in Normal Universities: A Case Study

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[2] 15:00~16:00 Kumi Matsuyama Meeting Child’s Needs through Music: A Music Therapy Case Study of a Girl with Binge Eating Disorder

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[2] 15:00~16:00 Liu Fen
Pravina Manoharan
The Combination of Chinese Traditional Opera "Tea Picking" and Contemporary Music Lesson

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